Truth is subjectivity
Objective truth has nothing to do with existing. For an existing individual what matters is the passion with which they relate to the truth.
The Nineteenth Century · 1813 – 1855
克尔凯郭尔 · Søren Aabye Kierkegaard
Father of existentialism: truth is subjectivity, faith is a leap over the absurd, and life has aesthetic, ethical and religious stages, each entered by an irreversible choice.
Life can only be understood backwards; but it must be lived forwards.
Source: Journals, 1843
Kierkegaard was the youngest son of a rich Copenhagen wool merchant, a devout and melancholy Lutheran who as a boy had cursed God on the Jutland heath and believed himself cursed in return; five of his seven children died young. The melancholy passed to the son. He studied theology at the University of Copenhagen, took ten years to graduate, lived dissolutely for a time, and settled down only after his father's death in 1838.
In 1840 he became engaged to the seventeen-year-old Regine Olsen and broke the engagement the next year without explanation; he never married, and she remained the hidden reader of all he wrote. In 1841 he took his master's degree with On the Concept of Irony and went to Berlin to hear Schelling. Over the next four years he published Either/Or, Fear and Trembling, Repetition, Philosophical Fragments, The Concept of Anxiety, Stages on Life's Way and the Concluding Unscientific Postscript, all under pseudonyms, each representing a view of life, with the author standing behind them passing no verdict.
His question was: in a country where everyone calls himself a Christian, how does one become a Christian? Hegel's system had turned Christianity into a comprehensible philosophy; he wanted to restore its offence. The Incarnation is absurd; faith is not understanding but passion, holding fast to something with infinite passion in objective uncertainty. Truth is subjectivity: what matters is not what you believe but how. Abraham raising the knife over Isaac is the 'teleological suspension of the ethical'; the knight of faith stands alone before God outside all universal norms.
In 1846 he fell out with the satirical paper The Corsair and was mocked all over Copenhagen, which ended his thoughts of a country parsonage. In his last years he launched a furious attack on the Danish state church, calling official Christianity a betrayal of the New Testament; in 1855 he collapsed in the street and died six weeks later at forty-two, his inheritance nearly spent. Almost unknown outside Denmark, his books were translated into German in the early twentieth century and shook Heidegger, Jaspers, Barth and Sartre, and existentialism took its name from him.
Objective truth has nothing to do with existing. For an existing individual what matters is the passion with which they relate to the truth.
Where reason ends, faith crosses the absurd in a leap no argument can justify. Faith is not a lower form of knowledge but something else altogether.
The aesthetic person seeks enjoyment and novelty, the ethical takes on responsibility, the religious stands alone before God. One passes from stage to stage only by choice.
Anxiety is the dizziness of freedom: standing at the cliff's edge, the terror is not of falling but of being able to jump. Anxiety is the experience of possibility.
The self is a relation that relates itself to itself. Not willing to be oneself or refusing to be oneself are both despair, the sickness unto death.
He wanted his gravestone to read only 'that single individual'. The crowd is untruth; each person must face their own existence alone.
He wrestled with Hegel's system all his life: the system explains everything except the single individual who is living now and must choose.
His dissertation was on Socratic irony, and he saw his own writing as ironic: giving no answers, only driving the reader to the point where they must decide.
In 1841 he went to Berlin to hear Schelling attack Hegel, was thrilled and then let down, but the seed that existence precedes the concept was planted.
He paired Kierkegaard and Nietzsche as 'the exceptions' who revealed an existence that systematic philosophy cannot hold; his 'philosophy of existence' answers that revelation.
Anxiety, authenticity and being-toward-death come from Kierkegaard, stripped of Christian content and recast as existential structures.
His habilitation, Kierkegaard: Construction of the Aesthetic, read Kierkegaard's inwardness as the philosophical expression of the bourgeois interior.
The Myth of Sisyphus calls Kierkegaard's leap of faith 'philosophical suicide': faced with the absurd, he leaps neither to God nor to death.