Ancient Greece & Rome · c. 99–55 BCE

Lucretius

卢克莱修 · Titus Lucretius Carus

Set out Epicurean atomism in over seven thousand lines of Latin verse; On the Nature of Things is antiquity's greatest philosophical poem.

EpicureanismAtomismBirthplace: Rome (probably)

So much wrong could religion induce.

Source: De rerum natura 1.101

Almost nothing is known of Lucretius' life. Saint Jerome says a love potion drove him mad, that he wrote in lucid intervals and killed himself at forty-four, which is probably a Christian slander on an atheist. What is certain is that he lived in the turbulent last years of the Republic, dedicated his poem to a nobleman named Memmius, and that Cicero read the manuscript and praised its genius and craft alike.

On the Nature of Things has six books: the principles of atoms and void, atomic motion and the swerve, the material and mortal soul, sensation and thought, the origin of the world and of civilisation, and finally celestial phenomena and plague. Its aim is therapeutic: to dispel with reason the fears that religion imposes. Between the opening prayer to Venus and the closing description of the plague at Athens lies a complete materialist cosmology.

The poem nearly vanished in the Middle Ages; in 1417 the humanist Poggio found a manuscript in a German monastery. It went on to influence Bruno, Gassendi, Newton and the whole Enlightenment, and Marx's doctoral thesis was on the Epicurean swerve. He wrote philosophy as poetry, he said, as one smears honey on the rim of a cup of bitter medicine.

Key Ideas

Nothing comes from nothing

Everything is built from atoms and dissolves into atoms. Conservation of matter is the first principle of his physics.

Religion born of fear

Ignorance makes people attribute natural events to gods; religion arises and drives them to evil. Understanding nature is liberation.

The mortal soul

The soul grows and ages with the body and disperses at death. Hence there is nothing to fear afterwards.

The natural origin of civilisation

Language, law and technology were not divine gifts but gradual human inventions driven by need. One of the earliest accounts of progress.